DASHER used as caption typeface for JRP|Ringier’s bi-annual journal.
Issues #1 & #2, designed by Gavillet-Rust and Vincent Devaud in 2011. Published by JRP|Ringier, Switzerland.
Dasher typeface and illustration archive made for Zürich Museum of Modern Art. A4 leaflet, A4 prints, b/w.
JS-2012.
DASHER used as caption typeface for JRP|Ringier’s bi-annual journal.
Issues #1 & #2, designed by Gavillet-Rust and Vincent Devaud in 2011. Published by JRP|Ringier, Switzerland.
CASPERDUET — MIRADOR EP
Illustrations for a record booklet, work in progress.
Photography + collage book for Maya Rochat in 2011. Rizo print at Ditto, London.
Designed with Maya Rochat, June 2011. Published by HardCopy/HEAD, Geneva and Monospace Press/Amsterdam.
Lettering for “Atelier Dante”, Lausanne.
Lettering for Dante Telese taylor shop in Lausanne, Rue de la Paix 3.
Some works published in “Precursor: the creativity watchlist”. Published by Gestalten Verlag, Berlin.
Design by R. Klanten & A. Mollard, 2011.
Some works published in iDPure #25.
Design by Rafael Verona, april 2011
Swiss Design Awards exhibition has just finished; 7’704 Besuchers and 1’407 letters generated on theletter.ch.
If i was wikileaks i’d publish them. Thank you BAK–Switzerland and Museum für Gestaltung Zürich!
TYPES WE CAN MAKE
Catalog for a typography exhibition held at MIT (Massachussette’s Institute for Technology, Boston). Under guidance of François Rappo and Gilles Gavillet. Published by Ecal/MIT/Swissnex Boston, 2010.
QWERTZ/more to come…
Logotype for the new Qwertz graphic and interaction design office/Lausanne. With Mathieu Rudaz & Cem Sever. Stay tuned!
VALENTIN CARRON: LEARNING FROM MARTIGNY
Artist book. In collaboration with Vincent Devaud and Gilles Gavillet (Gavillet-Rust, Geneva). The typesetting was made with a custom algorithm on www.theletter.ch. Published by JRP|Ringier. Awarded at the “The most beautiful Swiss books 2009”.
LA MICROREGION RURALE PERIURBAINE
Master Thesis about economic growth projects for micro-regions in Switzerland. Written by Frédéric Mauron, University of Fribourg.
©Jeremy Schorderet, 2010
ALL THE BEST
Diploma work about the CAPTCHA language. A CAPTCHA is a test allowing to differenciate a machine from a human user on the internet. ALL THE BEST comprises of a web based “human channel” (www.theletter.ch), an A4 publication on the topic of “human data” and a serie of posters. Winner of Swiss Federal Design Price 2010.
©Jeremy Schorderet/écal 2009
INSTITUT KUNST DIPLOM 2009
Exhibition catalog for Basel’s university of Art diplomas. Under guidance of Ludovic Balland, Basel 2009. Published by Fachhochschule Nordwestschweiz HGK.
OPEN DESIGN SERVICE
An investigation into the technologies of the Open Source that resulted in the design of a hybrid bitmap and lineal typeface “Dasher”. Developped in collaboration with Cem Sever and EPFL labs in Lausanne, using a Tobii Eye Tracking device. The font was featured in the “Types We Can Make” exhibition, held at Boston’s MIT in September 2010, and also published in “Typeface as programs”, published by écal/JRP|Ringier. The Project was also presented as a conference in “Forms of Inquiry, the architecture of critical graphic design” at EPFL/Archizoom in Lausanne (2009).
©Jeremy Schorderet/écal 2009
SUNLIGHT LOVES ME, FEEDS ME MILK AND HONEY
Photographic book about a chlorophobic community.
©Jeremy Schorderet/écal 2009
DESIGN PARADE 04
Exhibition signage for the Design Parade Festival held at Villa Noailles, Hyères (FR).
©Jeremy Schorderet, 2009
LE GRAND DEBAT
Illustrated report of a french television debate between two presidential candidates for France’s 2007 elections.
©Jeremy Schorderet/écal 2009
DNR SPRDSCNT
An experimental corporate identity for a fictive “hardcore turn” of swiss super-discounters Denner. Posters printed on A0 photocopy.
©Jeremy Schorderet/écal 2008
CHARLES A BUTARE
A remix of Madame Bovary, by Gustave Flaubert, introduced in the early versions of Google translators. Textual artefacts shown as referenced illustrations.
©Jeremy Schorderet/écal 2008
ARE YOU READY FOR THE COUNTRY
Editing, layout and display typeface developped for a magazine for/about Mercedes’ new GLK. In collaboration with Rafael Verona, Nicolas Haeni and Nicolas Delaroche. Art direction by Pierre Fantys. The font was featured in the “Types We Can Make” exhibition, held at Boston’s MIT in September 2010.
©Jeremy Schorderet/écal 2009
